Sometimes I think things I shouldn’t, and I wonder if I’m helping them come true. I’ve heard that our thoughts become what the world looks like through our eyes, and I believe that for the most part. But what about the horror writers? Is Stephen King’s mind filled with terror? Is he afraid? Haunted by his own imagination? Is the dystopia we live in all Margaret Atwood’s fault for imagining it in the first place? Where is the line between holding our fear just long enough to heal it and creating a world we never wanted? I need to know, because sometimes I think things I shouldn’t. Like when I imagine what life would be like if you were gone. One day, we will say goodbye for the last time, and chances are, we won’t even know it. When I get your text -- “Home. Thanks for everything” -- only then do I realize that my breathing has been shallow for eight hours while you’ve been on the road. And I am able to forget again that one day we will have to say goodbye for real. I am safe in my home and you in yours, and I can imagine that we will see each other at Christmas, like we have for half a century or more, and we can pretend that we always will have another Christmas or another visit and I can forget that sometimes I think things I shouldn’t. © 2020 Deb Moore, All Rights Reserved
Tag: Love
The Middle Age
I have a predilection for melancholy, a generous bent toward nostalgia, and I surrender completely to isolated flashes of memory in the gloaming. I’ve spent hours in meditation, bending toward the present, then settling into a place of peaceful nothingness in the moment. I’ve loved so many ways, the love of blood, and the love of heart, and the love of so much more and so much less. I’ve aged into a life I like, a daily rhythm that fits a soul like mine, that craves both experience and time to write it. I am middle-aged, no longer a tree climber or a speed demon, no longer willing to play fast and loose with your heart or mine. I have learned the lessons of my time, and I have become less of what I wanted and more of what I needed, and I’m happy. But sometimes in the half-light of dusk (one can’t meditate every moment) I think of days long gone, and I remember you.
© 2020 Deb Moore, All Rights Reserved
Juxtaposition
So many years
went by when I
didn’t write a word.
Half-finished novels
stuck in exposition.
Protagonists just
setting off on a
hero’s journey,
frozen in mid-stride.
Poems written on scraps
tucked into notebooks
piled in boxes
stacked in a closet.
Epic tales told
in snippets.
Odes to odes.
16-syllable haiku.
13-line sonnets.
Songs, short stories,
essays, comedy routines.
Journals filled for
20 pages,
or 30,
then abandoned,
the thread
picked up later
in another journal.
Eleven journals
covering thirty years,
each with a month here
and a month there
from disconnected years.
A life, cross-indexed.
But I was busy
teaching people
how to write.
And when I would come home
from this noble endeavor,
I paid the mortgage and
kept the lights on
and bought the kibble
and gardened
and watched sunsets
from the porch
with you.
It was this hero’s journey,
a living poetry.
Story after story
I finished.
Whole chapters
on which I
closed whole
books.
I don’t regret
abandoned manuscripts.
I would, however,
regret missing
a sunset
on the porch
with you.
© 2020 Deb Moore, All Rights Reserved
Routine
Office reruns in bed
late at night
(Jim plans a prank)
We laugh so
hard we have to
pause the show
We catch our breath
You press play again
My toes reach for yours
under covers
You play
a game online
Me, a crossword puzzle
(Dwight planning Jim’s demise)
My right hand clutches
pen and book
My left reaches for
your fingers
gripped on your phone
I stroke the back
of your hand
(Jim grins at the camera)
Subtly, not suggestive
You say nothing
But I see you
smile
© 2020 Deb Moore, All Rights Reserved



