Twice I’ve had shepherd’s pie.
The first time I was maybe three,
probably two,
back when children graduated
from high chairs much earlier and
rode bikes with no helmets.
Back when I stood in the middle
of the bench car seat holding onto
daddy’s shoulder while he drove,
his extended arm my only
seat belt.
The pie was mother's attempt to
make something special
on a meager grocery budget.
Once,
when we were down to our last mason jar
of green beans,
my sister and I, toddlers,
oblivious,
mom made the green beans,
seasoned them as if part of a grand meal,
set the table,
poured the tea,
put the beans in a glass serving dish
(a cookpot on the table would never do),
lifted the dish from the counter,
and then,
hands wet,
the glass slipped,
and the green beans exploded on the kitchen floor,
spiced with shards too splintered to remove.
And mom sat down right there
in the middle of the green beans
and cried.
The shepherd’s pie happened
around the same time.
Sixties food wasn’t fancy.
Grocery stores didn’t stock
arugula and truffle oil and quinoa.
Life was more
meatloaf and mashed potatoes. But,
shepherd’s pie, it was
all mixed together.
And was that a pea?
I didn’t like it on sight.
Dad said, “you eat
what your mother prepares.”
I tried and gagged.
My sister and I slumped in our chairs
and stared at our plates in terror.
Dad dug in.
“You will sit here until your plate is clean.”
Hours passed.
Still we sat.
Still dad glared.
I think we ate it, but I don’t remember. I just remember
The sitting and the staring and the glaring.
Years later, dad said,
“I sure made some mistakes,
and there are some things I wish I could change.
I would never have
made you girls stay at that table and
eat something you didn’t like, for one thing.”
His 60-year-old self
was now embarrassed
by his 23-year-old choices.
All I know is
his stubbornness, his mistake,
made a day I remember
in a childhood
I have largely forgotten,
a bookmark in my story,
the clearest picture I have
of my boy father.
Last night, Nickie made shepherd’s pie.
She didn’t know the story. I told her --
smiling, laughing, remembering, I told her. Then
I tasted shepherd’s pie for the first time.
And then I went back for seconds.
© 2020 Deborah E. Moore, All Rights Reserved
Tag: Poetry
How to Make An English Professor Cuss
I jumped in to help on our college Facebook page. A mother posted concern about her daughters, two of them, who don’t like online learning, though pandemic college can’t be fully face-to-face, not just yet, and I thought I typed “daughters,” but I typed “daughter,” and some man jumped on the thread and said, “Daughter are? And you’re an English professor? I’m not surprised.” And all 23 years of my career reared up behind me and begged to be allowed to respond. They wanted to say, “You want to go head-to-head on grammar, fuckbucket? Because I’m down for that, you inbred single-celled shitgibbon.” But I was on the college page, so I took a couple of deep breaths and wrote, “Thanks for the catch!” (Note the exclamation point. It makes it friendlier. It’s how women are socialized to appear less aggressive. I would love to see a study that compares exclamation point usage between women and men, though I don’t really need official data.) As I breathed through my response, I thought about how common snark has become, toxic thrusts and parries, and how people will throw schoolyard taunts at others without any knowledge of who they really are. And I wondered how this man would feel if I questioned him in a snide manner about his life’s work. And then I wondered if I had ever done just that to someone. It’s possible, though I don’t recall details. So I looked in the mirror and let that man go. © 2020 Deb Moore, All Rights Reserved
Maker’s Mark
The finish of my
father’s desk seems
old, perhaps original,
but some brush marks
hint at an ancient
attempt to make things
new. I search in
and out, up and down
for a maker’s mark
or other origin clue,
but only find my father’s
mark. I had to open
the lap drawer, get on
my back on the floor,
under the desk like
a history mechanic,
to see it.
Property of
David W. Moore
Purchased for $7.00
Metropolis, Ill.
Oct. 1962
in permanent
marker. Already old
when he got it at
that flea market or
yard sale before I was
born. And now I have
it, seven years after
he left the earth,
and I run my hands
over the finish and
read his handwriting
again from the iPhone
picture, and I remember
the he who would mark
his things and the
way he marked me,
and I sit here trying
to shrug him off enough
to begin a story about
him.
© 2020 Deb Moore, All Rights Reserved
The Old Poet
The old poet
behind a desk
reading aloud
from Frost.
Behind him,
a bookcase
filled with
others’ poems
and a few of his own.
Above the bookcase,
a specimen drawing
of a bluegill.
On top of the bookcase,
between books stacked
and waiting for
a permanent home,
a large feather,
turkey or hawk,
in a mug for soup
long ago surrendered
to pens and feathers.
An Hermes 3000
to his left,
bought new in the sixties,
a well-traveled machine
that has seen Paris,
London, and an
entire season on the
Costa del Sol,
though mostly
untouched then
while the poet
pursued belleza
and drank.
And a shovel,
its handle
propped in the corner
made by the bookcase
and the wall,
waiting to spread
manure or dig
potatoes or take
a side gig as
walking stick
when the reading
ends and the work
of the land
carries on.
The old poet
looks up from
the worn book in
his worn hands
to push the final
words through his
soft stubbled lips.
He closes the book,
assigns reading,
and bids farewell.
A bent finger
clicks the mouse,
and his students
disappear.
© 2020 Deb Moore, All Rights Reserved



