Sunday Morning

As a child, it was a fishbowl.
Any misdeeds in among the
second graders would
reach my mother’s ears
before the benediction
like a miracle.
After, at home, the
roastpotatoescarrots
were served with a side
dish of solemn reminders to
act like the example I
was ordained to be.

It has, at times, been a job
in my adulthood.
Greeter every first and third
or standing with the altos.
Season after season
of Easter musicals and
Thanksgivings and
Christmas carolings.
One stint on the board, oh
god, and that’s enough
to make the Apostle
Paul lose his religion.  

At times I actually believed it
all. Other times I’ve
seen the whole works
as a chalice filled with
snake oil. God loves me
could be replaced
the following week
with all the reasons
she might not. Even
still, I never felt
forsaken.

My heart still loves
the mystery, though
my sacrament is
usually now a biscuit
and a cup of tea.
What I believe is not
as small as what I know,
but close.
The uncertainty
and unknowing have
grown into the most
beautiful portions of this
holy journey.  

On a Sunday morning,
my face is not likely
to darken any door
unless brunch is being
served. But somehow I still
hold sacred the idea
that I am an example (I
think it’s why I teach). It
gleams as brightly in my
memory as the reflection of
stained glass morning light in
black patent leather shoes.
So I try to do what’s right,
and if they have it,
I’ll order the roast.  

© 2020 Deb Moore,  All Rights Reserved

The Old Poet

The old poet
behind a desk
reading aloud
from Frost.
Behind him,
a bookcase
filled with
others’ poems
and a few of his own.

Above the bookcase,
a specimen drawing
of a bluegill.
On top of the bookcase,
between books stacked
and waiting for
a permanent home,
a large feather,
turkey or hawk,
in a mug for soup
long ago surrendered
to pens and feathers.

An Hermes 3000
to his left,
bought new in the sixties,
a well-traveled machine
that has seen Paris,
London, and an
entire season on the
Costa del Sol,
though mostly
untouched then
while the poet
pursued belleza
and drank.

And a shovel,
its handle
propped in the corner
made by the bookcase
and the wall,
waiting to spread
manure or dig
potatoes or take
a side gig as
walking stick
when the reading
ends and the work
of the land
carries on.

The old poet
looks up from
the worn book in
his worn hands
to push the final
words through his
soft stubbled lips.
He closes the book,
assigns reading,
and bids farewell.
A bent finger
clicks the mouse,
and his students
disappear.

© 2020 Deb Moore,  All Rights Reserved

Symbiosis

I was stirring
honey in my tea
when through the
kitchen window
I spied the bright red
cardinal who had
established himself
Chief of the Yard.
He flight-paced
between the empty feeder
and a mimosa limb.
When he paused,
he looked right at me.
I swear he did.

His angry cardinal
glare and fiery
feathers, all ruffled
and fluffed, set
my priorities.
Tea down,
I went out to the shed
for the bucket of
seed and walked
toward the feeder,
unnoticed,
then noticed,
a flash of red diving into
the honeysuckle.

Alone at the tree,
still, I felt watched.
Watched, as I reached
for the feeder,
set it on the ground,
fed it scoopfuls
of black oil
sunflower seeds,
and returned it,
full, to its limb
in the mimosa.

Back at shed distance,
I saw Chief
return and perch,
his beak stabbing,
shells flying,
a black hailstorm
summoning
the female cardinal
and the finches
and the wrens
and the chickadees
who must have been
watching from places
unseen.

We watch each other
for different reasons,
Chief and I.
He watches for food.
I watch for beauty and
flight and poetry.
Reciprocal stalkers
in search of sustenance.
I feed, he eats,
and we are
both filled,
sated with
magnesium and
purpose. 

© 2020 Deb Moore, All Rights Reserved

Juxtaposition

So many years
went by when I
didn’t write a word.
Half-finished novels
stuck in exposition.
Protagonists just
setting off on a
hero’s journey,
frozen in mid-stride.

Poems written on scraps
tucked into notebooks
piled in boxes
stacked in a closet.
Epic tales told
in snippets.
Odes to odes.
16-syllable haiku.
13-line sonnets.

Songs, short stories,
essays, comedy routines.
Journals filled for
20 pages,
or 30,
then abandoned,
the thread
picked up later
in another journal.
Eleven journals
covering thirty years,
each with a month here
and a month there
from disconnected years.
A life, cross-indexed. 

But I was busy
teaching people
how to write. 

And when I would come home
from this noble endeavor,
I paid the mortgage and
kept the lights on
and bought the kibble
and gardened
and watched sunsets
from the porch
with you.  

It was this hero’s journey,
a living poetry.
Story after story
I finished.
Whole chapters
on which I
closed whole
books.  

I don’t regret
abandoned manuscripts.
I would, however,
regret missing
a sunset
on the porch
with you.  

© 2020 Deb Moore, All Rights Reserved