Bone Moon

My people called it the bone moon.

A time of hunger.

A time of hope.

Life at the barest essential.

Black bear skin hugged tight around the shoulders.

Snow falling in clouds from shaken cedar boughs.

Woodsmoke curling up from the council house chimney.

Starvation like a penance and a prayer.

 

I meditate in warmth on this full moon in Leo.

I have a full belly.

Agarbatti smoke curls up from the altar with the

smell of a Hindu temple.

I do not know the council house

or the bear blanket

or the starvation.

But I know the hunger.

I know the hope.

 

© 2017 Deborah E. Moore

I love me some ‘Murica

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I am deeply in love with this schizophrenic country I call home.

Land of the free.  Home of the firm and fast opinions on subjects one knows absolutely nothing about.

Of thee I sing with a courage of convictions completely unencumbered by contemplative thought.

Our rights are life, liberty, and the pursuit of a government of, by, and for all the right people.

I may disagree with what you say, but I will defend to the death my right to vote for the other side.

Election day’s a-comin’.

Let freedom ring.

Food for Future Years

(A poem inspired by William Wordsworth’s

“Lines Composed a Few Miles Above Tintern Abbey”)

Today I lectured on Wordsworth.

“Lectured” – pshaw!

I strutted and crowed and danced on the balls of my feet.

I pathetically attempted to convey the ebullience

that eddied through my softened heart

in much the same way that the poet seemed to reach beyond his reach

to corral with words that moment when we

“see into the life of things.”

I spoke of nature and meditation

and the place of wisdom that lives beyond consciousness.

I stretched synonyms and cajoled imagery

to see if any words were worth

the moment of experience

when soul touches soul,

mind touches nature,

all that is touches all I am.

I lifted my arms, my eyes, my voice,

as I tried to carry a roomful

of baby scholars

to the banks of the River Wye.

I engaged every descriptive power

I have ever possessed

to give them just a whisper of an idea

about the presence, the sense, the spirit

which lives in the blissful moment of

pure connection,

and which the poet

dared to attempt to explain

though he knew better than all of us

how futile that effort would surely be.

I tried.  Oh, how I tried.

And then I looked at the rows of faces,

some blank and unreadable,

but some smiling, some nodding,

some radiating the knowing,

and I knew.

I had not transported them to Tintern Abbey.

We had traveled together to this moment,

a moment of pure connection,

that the poet would reach beyond reach

to dare to attempt to explain.

Catching Chickens

Valentine loves to be held.

     She pecks at my jeans, squints into the sun, practically begs.

But she’s scrawny and hen-pecked.

     Comb always bloody.  Knobby feet.

The others I’ve never touched.

     Sure, as downy chicks.  Never since.

Stunning creatures proudly strutting,

     Every tail feather in place.

I’ve tried several methods of capture.

     Step One – Earn Trust.  Hand feed them.

          Cabbage.  Carrots.  Cauliflower.

     Step Two – Employ subterfuge.

          Stoop down still as a stone, and then –

     Step Three – Cut off escape.  Corner one.

          I do not recommend step three.

I’m working on a poem about catching chickens.

     First attempt – Focus.  Concentrate.  Think chickens.

                    So much depends on a red wheelbarrow

     Second attempt – Relax.  Clear your mind.  Try NOT to think.

                    About a red wheelbarrow glazed with rainwater

     Third attempt – Just write.  Stream of consciousness.

                    Just . . . a stream . . . beside the white chickens

Some poems beg to be written.

     I’ve held one or two.

But they’re usually jerky.

     Scrawny symbolism.  Knobby feet.

Others strut across the page.

     Stunning.  Majestic.

     Almost untouchable,

          But so worth the chase.